KUD Mreža’s varied cooperation with Ljubljana Street Art Festival   

On Monday, 29 June with the opening of exhibition “All Is Super” by Finnish designer Linda Söderholm at Night Display Gallery Pešak, a diverse cooperation between KUD Mreža and the second edition of Ljubljana Street Art Festival begins. Here.

For the next day we are inviting you to the walls of Metelkova to the opening of mural “Wild Things”, created between 9 and 13 March 2020 along Masarykova Street, made by Swedish comic artist Anna Ehrlemark with the help of painter Miha Perne. Here.

Carlo Galli, a Milan-based visual artist on residency, will be able to follow at the creation of a huge urban tapestry in one of the studios in Rog as part of Alternative tours from 1 July. Motive on the tapestry will be a portrait of the ancient Roman dictator Titus Lartius, which represents the artist’s critical response to the current dictatorial moves of the rulers, who took advantage of the pandemic to restrict the freedom of individuals. Here.

On July 4 in the exhibition center between the Alkatraz Gallery and the Klub Gromka, we are preparing a traditional Metelkova art fair – Bolhačfair. Among the masterpieces that can be seen and taken with you for a solid price will be the works of famous Metelkova craftsmen and poets, poets and poetesses, comics and comics, musicians. The offer will be exceptional, as many rare works of art will be found, as well as recently produced objects from Metelkova mesto. Come and choose a bargain! Here.

The fair will be followed by a charity auction organized by the Alkatraz Gallery. The auction at Metelkova has a long tradition – daring callers with their improvised inserts, witty comments and passing and interpretation of the unique characteristics of the participating artists provoke and entertain several generations of visitors to Metelkova. Get ready for a wide range of different creative approaches, expressions and media at affordable starting prices! Here.

Between the two events we will invite you for a guided walk through the Metelkova total work of art with a detailed insight into recent creations, a meeting with some authors, and peeking into the windows of the Pešak Night Display. “Metelkova style” is characterized by art recycling, which cultivates the awareness that artistic interventions in space are not limited to the field of art, but take into account the wider social environment. There have been over 150 individual urban art projects since 2004 which form a complete public spatial sculpture reminiscent of the famous Merzbau. Here.

FemLink-Art: group exhibition at Alkatraz Gallery curated by Veronique Sapin   

FemLink-Art is a collective of visual artists, established by C. M. Judge (USA) and Veronique Sapin (France/Canada) in 2005. FemLink explores new forms of artistic networking and transnational collaboration; furthermore, its aim is to help artists with harder working conditions and less exhibiting opportunities. Until now, 145 artists from 63 countries, with over 300 works contributed to the creation of a collective piece of art, composed of video collages, thematising various concepts. The founders of FemLink-Art contend that ‘for a long time, the aesthetic criteria were characterized by forced limitations and dominated by principles of exclusion, legitimacy, and hierarchy;’ the project was founded as a political answer to challenge overlooked female artists and inequalities in the world of art, and to foster networking. It works in the way that the founders invite artists to contribute their own perspectives on a specific collage topic without any limitations, except for the temporal one – the video cannot be longer than two minutes. The Alkatraz Gallery shall confront two topics of video collages – Aggression and Wonder – created by 44 artists who were chosen by one of the collective’s founders, curator Veronique Sapin. Although the themes appear to be diametrically opposite, they – with the help of videos, harrowing and diverse in artistic approaches – question the reality, offer critical thought on the present, and reveal what is ordinarily overlooked.

Exhibiting artists: Evgenija Demnievska (Serbia), Vouvoula Skoura (Greece), Luzia Simons (Brazil), Viviana Berco (Argentina), Hiroko Okada (Japan), Sara Malinarich (Chile), Evelin Stermitz (Austria), Ingrida Pičukane (Latvia), Sabine Mooibroek (the Netherlands), Véronique Sapin (France), Maria Rosa Jijon (Ecuador), Tayeba Begum Lipi (Bangladesh), Amaranta Sanchez (Mexico), Eva Koch (Denmark), C. M. Judge (the USA), Alessandra Arno (Italy), Tanja Koistila (Finland), Maria Dominguez Alba (Spain), Ana Grobler (Slovenia), Elaine Frigon (Canada), Alena Kupčikova (Czech Republic), Seema Nusrat (Pakistan), Mesrure Melis Bilgin (Turkey), Anna Titovets (Russia), Ligia Bouton (Brazil), Dagmar Kase (Estonia), Laura García (Mexico), Susana Pilar Delahante Matienzo (Cuba), Zuzanna Janin (Poland), Vesna Bukovec (Slovenia), Ayesha Sultana (Bangladesh), Maria Papacharalambous (Cyprus), Loes Heebink (the Netherlands), Amina Zoubir (Algeria), Cagdas Kahriman (Turkey), Patricija Gilyte (Latvia), Carolina Saquel (Chile/France), Angelika Rinnhofer (Germany), Itziar Barrio (Spain), Liang Wei (China), Diana Yun (Kazakhstan), Cecilia Vignolo (Uruguay), Jelena Mišković (Serbia), Chantal du Pont (Canada).

You are kindly invited to the group exhibition FemLink-Art: Agression and Wonder video collages by curator Veronique Sapin. The exhibition is on view from 27 May, Wednesday from 11.00 at Alkatraz Gallery, Ljubljana.

On display: 28 May 2020 – 19 June 2020

The Remains – Retrospective exhibition by Damijan Kracina   

“For the 26th anniversary of Autonomous Cultural Centre Metelkova City (ACC Metelkova mesto), Arts and Culture Association Mreža (meaning ‘network) (KUD Mreža) connected with The Last Contemporary Art Museum, a worldly renowned institution, which is located in the settlement Logje, at the extreme west of Slovenia, in a building of venerable age.[1] The title of the museum stresses the fact that, nowadays, contemporary art has reached its edge. The museum stands in the middle of intact nature. With its activities, it questions the methodology, approaches and creations of contemporary art, which is a par excellence link with the versatile artist Damijan Kracina, who it exclusively represents. The museum also hosts the artist’s permanent and permanently changing exhibition. Damijan Kracina is an academic painter and multimedia artist. Since 2008 and until recently, he was using his artistic studio at Metelkova. In 2018, he applied for and won a studio place in Švicarija (meaning ‘Swiss/sweat) in Park Tivoli, Ljubljana. Despite this, Damijan Kracina is still very much present in Metelkova City, both with current projects he is executing or helping to conceptualise and with numerous placements in a public space, which leave a mark on Metelkova City.

In Alktraz Gallery, we regularly host retrospective exhibitions of Metelkova’s artists. For the 26th anniversary, we chose the exhibition of Damijan Kracina in order to mark the turning point in time, characterised by the leaving of this relevant artist from the working space. According to the agreement with The Last Contemporary Art Museum, we decided to follow a successful model of their permanent exhibition, and conceptualise our exhibition as a cabinet of curiosities. In fact, this principle is typical of the artist, who ‘constructs the cabinets of wonder anew again and again by including curiosities he runs into on his journey into his own mental landscape’, as Klavdija Figelj poetically contends at the opening of his exhibition, entitled Discomforting Meaning, on 8 June 2019 in Ciril Kosmač’s library in Tolmin, Slovenia.” – galerijalkatraz.org

Damijan Kracina (1970) completed his graduate studies in Sculpture at the Academy of Fine Art and Design (ALOU) in 1996, where he also obtained his MA in Sculpture and Video Art in 1999. He was improving his knowledge in Graz, Austria, New York, at Tamarind Institute in Albuquerque, and at Santa Fe Art Institute in the USA. He was a co-founding member of the art group Provokart and a co-founder and, for a while, artistic director of the centre for art ARTilerija Kluže. Moreover, he is a co-founder of the art group The Domestic Research Society (DDR). Since 2010, he has been working as a professor at the Secondary School for Design and Photography. In 2015, he established The Last Contemporary Art Museum in Logje. He lives and works in Ljubljana.

You are kindly invited to the opening of the retrospective exhibition The Remains by Damijan Kracina on 2 September, Monday at 8 pm, at Alkatraz Gallery, and kindly invited also to the guided tour with the artist (in Slovene language) on 7 September, Saturday at 6 pm.

On display: 2 September 2019 – 20 September 2019

Lighting Guerrilla at Alkatraz Gallery: RaumZeitPiraten – About the Impossibility of Borders   

This year’s focus of the festival is on exploration and comprehension of different aspects of borders, be those physical, optical, social, psychologic or purely spiritual, borders that both divide and connect. We will thus put on display works that explore the boundaries between the public and the private, between past and present etc. works that examine the limits of human perception and imagination and thus offer a deliberation on this phenomenon which is attracting lots of attention due to current events in the world.

One of the Festivals’ stations is Alkatraz Gallery, where RaumZeitPiraten – German art collective, will present a solo exhibition.  RaumZeitPiraten is a collective of German artists who create characteristic »techno« light installations, mobile and kinetic DIY sculptures made from repurposed opto-acoustic devices.  The collective this time occupies the whole gallery presenting a project that stems from the historical concept of the so-called Expanded Cinema from the 70’s. This, unlike classical movie production, combines movies with other technological means such as video, special effects, holograms etc. RaumZeitPiraten are presenting an ironic paraphrase of the Expanded Cinema: the viewer, immersed in a visually saturated space conglomerate turns into an active participant of this meta-narrative and multi-sensorial ’cinematic’ story.

At the opening of the exhibition, there will be a repeat of analogue screenings in front of the Alkatraz Gallery called Overhead  – project by students of High School of Design and Photography. These are analogue improvisations using overhead projectors where the attendees will demonstrate their creative skills in creating live visual narratives.

RaumZeitPiraten is an audio-visual, time and space changing art collective that consists of Tobias Daemgen, Jan Ehlen and Moritz Ellerich. They have been working together since 2007 under this name that hints at the inspirational Einstein’s concept of the four-dimensional Raumzeit (space-time), while as pirates they feel the need to freely play with these concepts outside the traditional frameworks of production.

You are kindly invited to the opening of “About the Impossibility of Borders” exhibition by RaumZeitPiraten art collective on 23 May, Thursday at 9.30 pm at Alkatraz Gallery. The exhibition is a part of the 13th International Festival of Lighting Guerrilla.

Production: Strip Core/Forum Ljubljana & High School of Design and Photography (screenings).
Co-production: Alkatraz Gallery/KUD Mreža

On display: 23 May 2019 – 15 June 2019

Basic Bricks Of Logic 1 by Julij Borštnik at Alkatraz Gallery   

“The project Basic Bricks Of Logic 1 is the continuation of the artist’s collaboration with the Vienna gallery Schleifmüehlgasse resulting in the exhibition The Measure Of Profit (2014) and is designed as a minimalist sculpture installation. First and foremost, it speaks to the viewer through spatial physical and visual perception, the content of the message coming to the forefront after deeper consideration. There are two sculptures in the space: two parallel installations from wooden squares and foam. In terms of content, the constructions first seem rather abstract, but after a more careful examination of the installation and the sketches on the walls, it becomes clear that the two objects represent the four key curves of the logic of profit-driven economy. The first set represents the conceptual assumptions of profit logic. The second set shows how it works in practice based on statistics for the last seven decades.

The exhibition is an attempt at making the key elements of the logic that dominates and drives the economic and political environment in which we live immediately comprehensible. The first set represents the curves delineated by the logic in the abstract, conceptual world without the limitations of the real world, the logic being realisable in its presumed form. The second set represents the same curves but in the real world; as outlined in the past seventy years. A comparison between the two sets uncovers the logic’s entanglement in its own contradictions and the limits of the environment.” – galerijalkatraz.org

Julij Borštnik studied sculpting at the Ljubljana Academy of Fine Arts and Design from which he graduated in 2007. In 2005 he received the Student Prešeren Award and the international artists’ Essl Award. In 2008 he enrolled in the postgraduate programme of philosophy organised by the Slovenian Academy of Sciences and Arts (SASA) in collaboration with the University of Nova Gorica. The main cycles of his artistic creation include The Future Of Work (a series of four feature-length documentaries in co-authorship with Abel Heijkamp), Osnovni zidaki logike (The Basic Bricks Of Logic) – The Measure Of Profit, Schleifmühlgasse Gallery, Vienna, Austria, 2014) and Potencialni Prostor (Potential Space – exhibitions Re-Generation at the Institute of Chemistry, 2018; the exhibition The Path at the Srečišče Gallery, 2013; the exhibition Impulse and Possibilities at the Trbovlje Workers’ Hall, 2011; a performative lecture at the Personal/Collective Festival, 2011). He regularly works with sculptor Katja Oblak in the fields of sculpting and video. Since 2008, he also devotes his time to work and organisation in the field of fine art pedagogics (sculpting, painting, animation) for various age groups. Since 2011, he also teaches sculpting at the Fine Arts Education Centre (LICE) in Ribnica, and drawing and sculpting at the School of Fine Arts in the Nova Gorica City Gallery which he co-founded.

You are kindly invited to the exhibition opening of Julij Borštnik’s Basic Bricks Of Logic 1 on 17 January, Thursday at 7 pm at Alkatraz Gallery, Ljubljana.

On display: 17 January 2019 – 8 February 2019

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