The Uprising Social Workers’ collective says goodbye to Alkatraz   

“Why do you show your tits? What kind of connection is there between banks, trouble at the borders and feminism? Such radical photos will not achieve anything!”

The Uprising Social Workers’ collective wants to say goodbye to their exhibition at Alkatraz Gallery in an interactive way, so we have prepared a guided tour which will present their work and its message. You are kindly invited to join the I Spit On Revolution! exhibition closing guided tour on 30 March, Thursday at 5.30 pm. The event will happen in Slovene language, with the possibility of translation into English.

Metabonma with the Furiant String Quartet at Klub Gromka   

KUD Mreža’s event series for classical and contemporary composed music Metabonma is excited to present the performance of the Furiant String Quartet at Klub Gromka on 14 March, Tuesday at 9 pm.

The Furiant String Quartet was formed in 2011, its members – Stefano Mesaglio on first violin, Vlad Popescu on second violin, Gregor Hrabar on viola, and Nika Švarc on cello – have studied at the Kärntner Landeskonservatorium in Klagenfurt with Elisabeth Fister, and in October 2013, the four musicians were accepted in the class of Professor Eberhard Feltz at the Hochschule für Musik “Hanns Eisler” Berlin.

This time classical composed music comes to a punk-rock club with pieces written for string quartet by composers such as Joseph Haydn, Dmitri Dmitriyevich Shostakovich and Ludwig van Beethoven. Metabonma revives in a more settled and relaxed form, and presents accessible classical music for those who may not have been close to these historical, but timeless classics.

Programme:

· Joseph Haydn: String Quartet in G major, Op. 76, No. 1
· Dmitri Dmitriyevich Shostakovich: String Quartet No. 8 in C minor (Op. 110)
· Ludwig van Beethoven: String Quartet in E minor, Op. 59, No. 2 “Rasumovsky”

14 March 2017, Tuesday 21.00 – Klub Gromka, Ljubljana

Küchen, Müntzing, Mezei and Márkos – two duos at FriForma   

An old acquaintance on the Ljubljana free jazz and improvised music scene, Martin Küchen is returning after a few years break, this time with his Swedish friend and collaborator Herman Müntzing as duo Scheibenhonig. At ŠKUC Gallery they are going to present and promote their debut album Rop På Hjälp which got released recently on Inexhaustible Editions.

The opening set of the evening will be presented by the viola-cello duo of Szilárd Mezei and Albert Márkos. Mezei’s playing is full of dynamism, sense of transition between various musical expressions – so what we can expect here is a full-blooded, exciting and highly concentrated mind-game with his long-time collegue, classically trained cellist, Albert Márkos.

13 March 2017, Monday 20.00 – ŠKUC Gallery, Ljubljana

I Spit On Revolution! – The Uprising Social Workers at Alkatraz Gallery   

“The Uprising Social Workers, at the current Red Dawns Festival, present their third feminist calendar, this time in the form of an exhibition of photographs, paintings, sculptures, videos and texts that have been created in the four years of our activity. The exhibition opening at Alkatraz Gallery will be accompanied by a performance.” – galerijalkatraz.org

You are kindly invited to the opening of the exhibition I Spit On Revolution! by The Uprising Social Workers collective, followed by an opening performance, on 9 March, Thursday at 7 pm at Alkatraz Gallery. The project is co-organized by KUD Anarhiv and part of Red Dawns – 18th International Feminist And Queer Festival.

On display: 9 March 2017 – 31 March 2017

Residence Of The Void: exhibition closing guided tour by Dajana Durić   

Croatian artist Dajana Durić’s The Residence Of The Void exhibition will finish with a guided tour hosted by the artist on 3 March, Friday at 6 pm. Dajana Durić is going to tell us about the background of the project: ideas behind the design as well as some interesting details about the long process of creating her displayed artwork. The gallery team is keen to ask her about connections between her original site-specific installation and the Far-Eastern concepts of harmony and peace, and also about want do they mean to her personally. You are kindly invited to join the discussion and the special guided tour on Friday at Alkatraz Gallery.

Metabonma with Aleš Klančar and Jože Bogolin at Klub Gromka   

The fourth season of concert series for composed classical and contemporary music Metabonma is starting with the performance of trumpet player Aleš Klančar and percussionist Jože Bogolin at Klub Gromka on 27 February.

Ales Klančar is regular member of the Portuguese Remix Ensemble Casa da Musica and the Dutch ensemble Insomnio, he also co-operates with other foreign ensembles for contemporary classical music such as: MusikFabrik (Germany), KlangForum (Austria), Contrechamps (Switzerland), Ars Nova (Sweden) and Athelas Sinfonietta (Denmark).

Jože Bogolin plays – as a member and soloist – with various orchestras and chamber ensembles such as: EUYO Wind Ensemble, EUYO Symphony Orchestra, Slovenian Philharmonic Orchestra, RTV Orchestra of Ljubljana, SNG Opera-Ballet Orchestra Ljubljana, Komische Oper Berlin, Australian Chamber, Perkumania, Slowind and Drumartica. Together with Simon Klavžar he curates the program of Metabonma.

Programme:

· Gottfried Reiche: Abblasen + Jeremiah Clarke: Trumpet Voluntary
· John Hartmann: Fantasia Brillante On The Air Rule Britannia
· Áskell Másson: Prim (for solo snare drum)
· Mauricio Kagel: Morceau De Concours (for solo trumpet)
· Matthias Pintscher: Shining Forth (for solo trumpet)
· Nebojša Jovan Živkovič: Born To Beat Wild (for trumpet and big drum)

27 February 2017, Monday 21.00 – Klub Gromka, Ljubljana

Dajana Durić’s Residence Of The Void at Alkatraz Gallery   

“Dajana Durić is an artist yet unbeknownst to the Slovenian audience. However, since her artistic language is original and perfected, she will certainly attract the public with her exhibition in Alkatraz Gallery. She does not conceal her interests under the veil of poetics, she prefers to articulate them clearly: she likes to arrange spaces that allow the presentation of situations representing transience of human moods and the multi-layeredness of memories. The spaces that she constructs are distinguished not only by their visual sensibility, but also by the strong presence of scent, sound and sensation which contribute to a more active perception of the exhibition.

It is interesting to observe how her artistic message is not shaped only by the imagination and an original multi-layered creativity, but also diligent work, always the result of the long process of the birth of an art piece. Her exhibitions require several months or even years of creation, the Residence Of The Void project took a year to complete – a tenacious work thus represents an important component of her artistic language.

The site-specific installation, exhibited in our gallery, will be composed of 72 canvases in the dimension of 60×60 cm, onto which a collage made from tea bags will be attached, and which, during the exhibition, scatter on the floor, thus changing the arrangement of the installation in the gallery.” – galerijalkatraz.org

You are kindly invited to the opening of the exhibition Residence Of The Void by Dajana Durić on 10 February, Friday at 8 pm at Alkatraz Gallery.

On display: 10 February 2017 – 3 March 2017

Trio Kimmig-Studer-Zimmerlin and John Butcher at FriForma   

KUD Mreža is thrilled to kick off its FriForma event series’ 2017 season with the performance of the Trio Kimmig-Studer-Zimmerlin and John Butcher on 8 February at Klub Gromka.

The string trio from the German-speaking part of Switzerland joined forces for the first time with their English guest on tenor and soprano saxophone. Violinist Harald Kimmig, cellist Alfred Zimmerlin and double bassist Daniel Studer decided that their tight improvising unit needs a new challenge with guest musicians: they invited British saxophonist John Butcher and their collaboration reached a new height. One can immediately hear the spiritual bond that developed between the trio and the Brit.

The Trio Kimmig-Studer-Zimmerlin together with John Butcher abandon the classical realm. Strings are bowed, pulled, struck and scratched, the entire instrument, from neck to tailpiece, is used as a resonating body. A master of circular breathing and overblowing techniques, John Butcher manages to elicit tones cause listeners to ask themselves which instrument was responsible for a particular sound. A must hear!

8 February 2017, Wednesday 21.00 – Klub Gromka, Ljubljana

Group exhibition The Man At The Border at Alkatraz Gallery   

“The inquiring about the concept of border seems to be a never-ending quest for identity and understanding of relations with the other. It should suffice to look at the art of the previous centuries where human being is placed on this side and interpreted as visible, definite, and mortal and still unsteady even in the most schematic perception. In renaissance he is someone who peeps behind the mystical curtain while trying to grasp essence of God, in romanticism on the other hand gazes in to distance, across the hazy horizon above the globe, and behind which expects unimaginably great power of Nature to reside. Modern age change perspective on time and everything seems to be absent and present at the same time. The future, the past and the present seem to influence each other by laws of physics, not mythical/mystical principles.

Selected artists from Slovenia and Austria are active in different fields of art and create in a various techniques. Specific to all is crossing borders or in some cases walking on the edge, which doesn’t occur in a formal way, this is today hardly possible, but in the sense of content. The artists constantly examine the known and walk a step further. They widen their own personal story through which, the culture that is common in a civilization is widen as well. And especially it is the examined the question how much can a human be human, before is dehumanised. Be it in body or spirit.

The exhibition The Man At The Border is conceived as an open, observant and pondering platform about borders that we are setting nowadays in a symbolic as well as physical sense and in this way reflects wider contemporary artistic and social phenomena. The artworks are addressing the issues of the quotidian; of artistic research and the system we are integrated in, modes and conditions of production as well as a wider social reality that the artists render by the means of various media and contents.

You are kindly invited to the opening of group exhibition The Man At The Border on 24 January, Tuesday at 8 pm at Alkatraz Gallery. The exhibition will be opened by director of Austrian Cultural Forum, Mag. Marie-Thérèse Hermges.” – galerijalkatraz.org

Participating artists: Gino Alberti, Kati Bruder, Beli Sladoled, Ana Čigon, Karin Maria Pfeifer, Tomaž Furlan, Nika Oblak & Primož Novak and Sula Zimmerberger. Curated by: Vasja Nagy and Jadranka Plut.

The exhibition is a part of co-operation between Alkatraz Gallery and flat1 Gallery.
We would like to thank for the suport of Austrian Cultural Forum Ljubljana.

On display: 24 January 2017 – 3 February 2017

Guionnet, Yoshikawa and Kutin – debut trio performance at FriForma   

Regarded as one of the most influential percussionist of the last 30 years, Andrea Centazzo has performed at the most important festivals and concert series both in Europe and the United States as soloist, in combination with other artists, and as conductor. Early in the eighties, and later in the last few years he has been associated with many seminal percussionists, playing duets, trios and ensembles with Andrew Cyrille, Barry Altschul, Tony Oxley, Paul Lytton, Paul Lovens, Pierre Favre and many others.

Born and raised in Italy, but naturalized American and living in Los Angeles since 1992, Centazzo after more than a decade dedicated mainly to composing, conducting and video-making went back in 2000 to his first love, the solo percussion concert. In his solo program called No Boundaries Centazzo once again blends his percussion, playing on a set of over 200 instruments, with cymbals, gongs, electronics, computer sequencing and digital sampling, bringing to the listener the emotion of a new sonic adventure in jazz, world and contemporary avant-garde music. His melodic composing along with his ostinato patterns and his mastery of percussion improvising create a music beyond any expectation.

Andrea Centazzo’s solo performance is the closing event of this year’s Metabonma concert series, curated by Jože Bogolin and Simon Klavžar.

15 December 2016, Thursday 20.00 – Vodnikova Domačija Šiška, Ljubljana

Andrea Centazzo closes this year’s Metabonma season at Klub Gromka   

Regarded as one of the most influential percussionist of the last 30 years, Andrea Centazzo has performed at the most important festivals and concert series both in Europe and the United States as soloist, in combination with other artists, and as conductor. Early in the eighties, and later in the last few years he has been associated with many seminal percussionists, playing duets, trios and ensembles with Andrew Cyrille, Barry Altschul, Tony Oxley, Paul Lytton, Paul Lovens, Pierre Favre and many others.

Born and raised in Italy, but naturalized American and living in Los Angeles since 1992, Centazzo after more than a decade dedicated mainly to composing, conducting and video-making went back in 2000 to his first love, the solo percussion concert. In his solo program called No Boundaries Centazzo once again blends his percussion, playing on a set of over 200 instruments, with cymbals, gongs, electronics, computer sequencing and digital sampling, bringing to the listener the emotion of a new sonic adventure in jazz, world and contemporary avant-garde music. His melodic composing along with his ostinato patterns and his mastery of percussion improvising create a music beyond any expectation.

Andrea Centazzo’s solo performance is the closing event of this year’s Metabonma concert series, curated by Jože Bogolin and Simon Klavžar.

8 December 2016, Thursday 21.00 – Klub Gromka, Ljubljana

FriForma with Tristan Honsinger and Joel Grip at Vodnikova   

“There is an unknown music. Hidden, to be discovered. Deciphered. There is a past, a now, and a coming. And there is something else. Out of time. Here are two spines – backbones of improvisation. Here’s the vast chatter. There’s an unknown music known to our inner ears. Here are fingerboards and jaws. Amplifying the balance between falling and not falling. Here are Tristan Honsinger and Joel Grip. A sonorous dance of extreme troubadours.”

Tristan Honsinger is a cello player active in free jazz and free improvisation. He is perhaps best known for his long-running collaboration with free jazz pianist Cecil Taylor and guitarist Derek Bailey. He studied at the Peabody Conservatory in Baltimore, but by the seventies, the Trans-American had moved to Amsterdam and formed the Instant Composers Pool with drummer Han Bennink and radical pianist Misha Mengelberg. With this avant-jazz group, his music transcended the classical conservatory background he had and he began to incorporate wild, free improvisation, jazz, and European folk music into his cannon, not to mention a kinship with Bertolt Brecht theatre, which would put an edge on performances and recordings that take on experimental strategies, some of which include what could be considered violent attacks on the instrument. The range of emotions that is covered in a piece by Tristan Honsinger is striking in that it is very accessible for so-called avant-garde music. In the eighties, he recorded for the prestigious FMP label and in the nineties, for numerous recording companies, including Winter & Winter, I.C.P., and legendary jazz archivists Hat Hut from Switzerland.

For a number of years now, energetic double bassist, filmmaker and producer Joel Grip has played an important role for the new scenes of improvised music in Europe. As founder of Umlaut Records, he opened up for creative forms of organizing collectives of musicians and promoting their music internationally. Since 2003 he has been one of the main organizers of Hagenfesten in Dala-Floda, Sweden, a stand-alone festival, and quite frankly possibly the most pleasant venue for free improvised music not only in Sweden but in the whole of Europe. Few other places offer quite the same endearing combination of sophisticated musical risk-taking, and up-beat, social get-together. Grip’s musicianship is informed by a similar knack for welding musical sophistication with social communication, often with an analog film camera at hand. With a handful of short films Joel Grip met mexican filmmaker Mauricio Hernández and shortly the film production company Umlicht was established. They are right now working on their third and forth feature film together. Umdicht is amplifying the pencil of Joel Grip’s hand, partly through the irregular issue of Lösa Blad and partly in the future release of books.

1 December 2016, Thursday 20.30 – Vodnikova Domačija Šiška, Ljubljana

A Textile Perspective On Exploring Identity And Belonging   

“Textile art has regained the attention of artistic public in the past few years. Guerrilla knitting and production of authentic textile designers are present at numerous outdoor and indoor public spaces. Even though textile crafts are still understood as a domain where women traditionally prevail, a closer look into the past reveals quite a different story. Several textile professions such as carpet-making are mostly performed by men. Closer to glory and fortune we come across tailors and male fashion designers today. The presence of male textile artists in the contemporary art should thus not surprise us.

The conceptual outset of the exhibition of textile portraits of Jan Bejšovec and Anže Ermenc is based on their differences of experience and interests. The artists are of different nationality and age. On top of that, they have never met each other. At the time when Jan Bejšovec, from Berlin, first arrived in Ljubljana, Anže Ermenc was leaving Ljubljana for Manchester. Despite numerous differences they are related by their mutual interest in contemporary textile arts, so they have both accepted the invitation of the Alkatraz Gallery and joined their efforts in a way we had not expected.

The exhibition will be the scene of confrontation of different beliefs and views on textile arts, at the same time also a kind of a dialogue of the two artists of different experiences. The audience will hence have an opportunity to observe two very different styles of textile arts. While Ermenc employs his embroidery as a tool when dealing with uneasiness and the reflection of his own personal experiences with the aid of satire and in his wider (fashionable) scope questions social determination of the value and visibility of unfashionable and unpopular individuals, Bejšovec prefers to focus on portraying controversial personalities from the history and politics in hope to set up conflict situations in political, and not personal sense. The attempt of Bejšovec and Ermenc displays an unusual versatility of contemporary textile arts.” – galerijalkatraz.org

You are kindly invited to the opening of the The Other Self – A Textile Perspective On Exploring Identity And Belonging exhibition by Jan Bejšovec and Anže Ermenc on 29 November, Tuesday at 8 pm at Alkatraz Gallery.

On display: 29 November 2016 – 16 December 2016